[1]沈祥源,傅生文.试论花间词派的表现手法和艺术风格[J].深圳大学学报理工版,1984,(1):117-122.
 Shen Xiangyuan,Fu Shengwen.An Initial Criticism of the Expression Technique and Artistic Style of the Flowery School of Ci Poems[J].Journal of Shenzhen University Science and Engineering,1984,(1):117-122.
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试论花间词派的表现手法和艺术风格()
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《深圳大学学报理工版》[ISSN:1000-2618/CN:44-1401/N]

卷:
期数:
1984年1期
页码:
117-122
栏目:
环境与能源
出版日期:
1984-12-31

文章信息/Info

Title:
An Initial Criticism of the Expression Technique and Artistic Style of the Flowery School of Ci Poems
作者:
沈祥源傅生文
武汉大学中文系
Author(s):
Shen XiangyuanFu Shengwen
Department of Chinese,Wuhan University
文献标志码:
A
摘要:
花间派是我国词学史上的一个重要的艺术流派,它对后世词的创作,具有深远的影响。本文分析了花间词的若干表现手法:善于寓情于形象之中,善于描绘不同的生活画面,善于截取典型场景,善于捕捉细腻入微的思想感受,善于抒发朴质而强热的儿女情思。文中还以温庭筠和韦庄的作品为例,阐述了花间词派的艺术风格,即在统一的婉约倾向中.浓淡相间,辉映成趣。花间词派是具有一定的美学价值的。
Abstract:
The Flowery School marks an important artistic school in the history of China’s ci poetics, exerting a far-reaching impact upon the later ci poetry. This paper aims to analyse some of its special technical merits, such as, employing images for emotional conveyance, portraying various minute aspects of the life, fine workmanship in selecting typical scenes and delicate emotions, and its superb technique in expressing the ardent and uncontaminated love. Citing the poems by Wen Tingjin and Wei Zuan as its examples, the paper also expounds, the artistic style of the Flowery School, that is, an exquisite interlacing of gaudy colours with quiet elegance, adding splendour to each other and fused into the overall graceful motif.
更新日期/Last Update: 2016-05-23