[1]张仲春.白桦叶楠剧作艺术风格比较[J].深圳大学学报理工版,1984,(1):57-65.
 Zhang Zhongchun.A Comparative Study Between Bai Hua and Yi Nan in Artistic Style[J].Journal of Shenzhen University Science and Engineering,1984,(1):57-65.
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白桦叶楠剧作艺术风格比较()
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《深圳大学学报理工版》[ISSN:1000-2618/CN:44-1401/N]

卷:
期数:
1984年1期
页码:
57-65
栏目:
环境与能源
出版日期:
1984-12-31

文章信息/Info

Title:
A Comparative Study Between Bai Hua and Yi Nan in Artistic Style
作者:
张仲春
深圳大学校办公室
Author(s):
Zhang Zhongchun
Shenzhen University General Office
文献标志码:
A
摘要:
文章从电影诗化、人物形象塑造、作家思想感情的流露及剧作节奏等几个方面,论述了我国文坛上一对孪生兄弟白桦叶楠在电影创作上艺术风格的不同。作者认为,白桦叶楠都追求电影诗化,但表现形式不同,白桦往往赋予生活以浓烈的诗意,叶楠则善于挖掘并表现生活的底蕴;白桦笔下的人物形象雄奇壮丽,叶楠笔下的人物深沉凝重;白桦的作品,是激昂慷慨之情溢于言表,一泻无余,唯恐言之未尽,叶楠是蕴含深情于客观描绘之中,不动声色,惜墨如金;白桦的剧作节奏明朗轻快,像山鹰扇动坚强有力的翅膀搏击长空,叶楠的剧作节奏低迴委碗,有一种象海鸥飞行的轨迹。
文章详细地分析了白桦叶楠创作风格的不同,并从作家的创作思想、写作方法及个人经历等诸多方面探讨了这种不同的原因。
Abstract:
    The paper proceeds from four aspects: screen-poetization, character portrayal,revelation of author’s emotion, and play’s rhythm, which bring to focus the distinction in artistic styles between Bai Hua and Yi Nan, a twin pair on Chinas literary arena. Both of them pursue the ideal of poetizing the screen, but following different ways.
    Bai Hua tends to depict life as ardently poetic; whereas Yi Nan excels at digging into life’s essence. Bai Hua’s characteristic images are magnificent and sublime, Yi Nan’s solemn and profound. From Bai Hua erupt the turbulent torrents of fiery passions, with not a single trace of reserve. However, from Yi Nan. We see an elegant objective picture, behind which flow silent deep feelings.
    Bai Hua’s buoyant tempo suggests a powerful mountain eagle soaring into the blue. Yi Nan’s is a meandering crook reminiscent of sea-gulls circling elegantly around.
The paper went deep into various fields, including motif, technique, as well as authors’ personal experiences, aiming at a convincing explanation of their artistic difference.
更新日期/Last Update: 2016-05-23